By Celia Marshik
Celia Marshik’s learn combines shut readings of modernist and middlebrow works, a historical past of england within the early 20th century, and the insights of factor thought. She specializes in 4 targeted different types of recent garments: the night dress, the waterproof coat, the partiality costume dress, and secondhand clothes. of their use of those outfits, we see authors negotiate transferring gender roles, weigh the price of individuality in the course of nationwide clash, paintings via mortality, and depict altering classification buildings. Marshik’s dynamic comparisons positioned Ulysses in dialog with Rebecca, Punch cartoons, articles in Vogue, and letters from shoppers, illuminating reviews approximately particular clothing and a common nervousness that folks have been not more than what they wore. all through her readings, Marshik emphasizes the chronic animation of clothingand objectification of individualsin early-twentieth-century literature and society. She argues that whereas artists and intellectuals celebrated the facility of recent participants to remake themselves, various literary works and renowned courses issues to a lingering nervousness approximately how political, social, and fiscal stipulations persevered to constrain the individual.
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James Joyce and the Act of Reception is a close account of Joyce's personal engagement with the reception of his paintings. It indicates how Joyce's writing, from the earliest fiction to Finnegans Wake, addresses the social stipulations of examining (particularly in Ireland). such a lot particularly, it echoes and transforms the responses of a few of Joyce's genuine readers, from friends and family to key figures resembling Eglinton and Yeats.
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At the Mercy of Their Clothes: Modernism, the Middlebrow, and British Garment Culture (Modernist Latitudes) by Celia Marshik