By Robert M. Marovich

In A urban known as Heaven, gospel announcer and track historian Robert Marovich shines a mild at the humble origins of an imposing style and its necessary bond to the town the place it came across its voice: Chicago.

 

Marovich follows gospel song from early hymns and camp conferences throughout the nice Migration that introduced it to Chicago. In time, the track grew into the sanctified soundtrack of the city's mainline black Protestant church buildings. as well as drawing on print media and ephemera, Marovich mines hours of interviews with approximately fifty artists, ministers, and historians--as good as discussions with family members and buddies of earlier gospel pioneers--to get well many forgotten singers, musicians, songwriters, and leaders. He additionally examines how an absence of monetary chance bred an entrepreneurial spirit that fueled gospel music's upward thrust to acceptance and opened a gate to social mobility for a couple of its practitioners. As Marovich exhibits, gospel track expressed a craving for freedom from earthly pains, racial prejudice, and life's hardships. in spite of everything, it proved to be a legitimate too powerful and too joyous for even church partitions to hold.

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A City Called Heaven: Chicago and the Birth of Gospel Music (Music in American Life) by Robert M. Marovich


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